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Vetted Talent

Arnav Mathur

Vetted Talent
I work as visual designer, focussing on building brands and creating digital experiences. I'm also fascinated by technology, branding, innovation, and the impact that design has on all of these things. I really enjoy solving problems and designing solutions with an impact not only on the company they're contracted for but also on the lives of people when I can.
  • Role

    Art Director

  • Years of Experience

    6.5 years

  • Professional Portfolio

    View here

Skillsets

  • Figma - 2 Years
  • Ai-enhanced design
  • InVision
  • Sketch
  • Adobe After Effects
  • Adobe Illustrator
  • Adobe InDesign
  • Adobe Photoshop
  • Adobe sensei
  • MidJourney
  • brand identity
  • Data-Driven Design
  • Digital Asset Management
  • Project Management
  • Sustainable design

Vetted For

10Skills
  • Roles & Skills
  • Results
  • Details
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    Graphics Designer (Remote)AI Screening
  • 78%
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  • Skills assessed :Communication Skills, Motion Graphics, Video Editing, Adobe Illustrator, Content Creation, Graphic Design, InDesign, print materials, Social Media Posts, Photoshop
  • Score: 70/90

Professional Summary

6.5Years
  • Jan, 2024 - Present1 yr 9 months

    Art Director

    Armat Design Studio
  • Aug, 2022 - Jan, 20241 yr 5 months

    Senior Digital Designer

    Grassdoor
  • Sep, 2019 - Apr, 20222 yr 7 months

    Assistant Design Manager

    JK Lakshmipat University
  • May, 2018 - Oct, 2018 5 months

    Graphic Design Specialist

    Fabulous Media
  • Mar, 2019 - Aug, 2019 5 months

    Creative Graphic Designer

    Symetree

Applications & Tools Known

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    Figma

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    Adobe Illustrator

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    Adobe Photoshop

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    Adobe XD

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    Adobe Creative Suite

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    Adobe Photoshop

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    Adobe Illustrator

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    Adobe After Effects

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    Adobe Premiere Pro

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    Cinema 4D

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    Blender

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    Sketch

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    InVision

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    Midjourney

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    Adobe Creative Suite

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    After Effects

Work History

6.5Years

Art Director

Armat Design Studio
Jan, 2024 - Present1 yr 9 months
    Led 20+ branding projects, increasing brand recognition by 40% and achieving 70% client retention. Managed and mentored 46 designers, boosting team productivity by 30%. Integrated AI tools cutting project timelines by 25%. Delivered scalable design systems and brand guidelines across SaaS, e-commerce, education. Collaborated with marketing/product to launch campaigns lifting engagement by 35%.

Senior Digital Designer

Grassdoor
Aug, 2022 - Jan, 20241 yr 5 months
    Directed brand refresh across five platforms, increasing recognition by 35%. Designed responsive UI/UX, improving conversions by 30%, generating $2M revenue. Developed digital asset management system, reducing retrieval time by 40%.

Assistant Design Manager

JK Lakshmipat University
Sep, 2019 - Apr, 20222 yr 7 months
    Created brand manuals for 10+ departments ensuring 100% compliance. Standardized communications, enhancing visibility by 25% and satisfaction by 22%.

Creative Graphic Designer

Symetree
Mar, 2019 - Aug, 2019 5 months
    Designed for 30+ products, supporting 25% new customer growth.

Graphic Design Specialist

Fabulous Media
May, 2018 - Oct, 2018 5 months
    Developed campaign visuals for 20+ clients, increasing digital engagement by 30%.

Achievements

  • Foundations of User Experience (UX) Design – Google
  • Foundations of User Experience (UX) Design - Google
  • Foundations of User Experience UX Design – Google
  • Foundations of User Experience UX Design Google

Testimonial

JK Lakshmipat University

A Balasubramaniam

I remember interviewing Arnav. He seemed earnest and raring to go. He worked for the Institute of Design at JKLU, initially and grew into a larger role for the university, as their official graphic designer. What goes for Arnav is his quest to learn and he is quick to catch on. He is very creative and loves being independent. He made extensive contributions to the University's literature and social media posts.

He will be an asset wherever he goes. You have to keep him busy so that he doesn't get bored on the job. I wish him well for his future.

Major Projects

3Projects

Tasya Logo Design

Tasya
Nov, 2023 - Dec, 2023 1 month
    • Client Brief: I kick off the process by having a detailed conversation with you, understanding the brand's ethos, values, and the specific blend of Western and Indian influences you want to convey.
    • Research and Inspiration: I dive into researching textile patterns, traditional motifs, and current fashion design trends. I seek inspiration from various sources to ensure a well-rounded design that aligns with your brand.
    • Sketching and Ideation: With insights in hand, I start sketching out rough concepts on paper. I explore various combinations of Western and Indian elements, playing with shapes and symbols that could encapsulate the essence of your brand.
    • Digital Exploration: The most promising sketches transition into a digital format using design software. This stage allows for more precise detailing and experimentation with color schemes, ensuring the design translates well on screen.
    • Color Palette Development: I carefully choose a color palette that not only reflects the brand's personality but also resonates with the dual nature of Western and Indian wear. Consideration is given to colors that evoke emotions and align with your target audience.
    • Typography Integration: I select or customize typography that complements the logo design, ensuring the font enhances the overall aesthetic and readability.
    • Feedback Loop: I share the initial digital concepts with you for feedback. This iterative process is crucial for refining and fine-tuning the design based on your insights.
    • Refinement and Iteration: I incorporate your feedback and iterate on the design. This may involve tweaking colors, adjusting proportions, or refining details to ensure the final design aligns perfectly with your vision.
    • Presentation Mockups: I develop presentation mockups to showcase how the logo would appear in various contexts, such as business cards, clothing tags, or website headers. This helps visualize the logo's versatility.
    • Finalization: Together, we make final adjustments to the logo based on our collaborative refinement process, ensuring it's scalable and effective across different mediums.
    • Trademark Considerations: I conduct a thorough trademark search to ensure the logo is unique and legally sound. This is a crucial step to avoid any potential legal issues down the road.
    • Delivery and Style Guide: I present the final logo along with a comprehensive style guide that outlines proper usage, color codes, and typography. This guide ensures consistency in brand representation.
    • Post-Launch Support: I offer post-launch support to address any unforeseen issues or modifications that may arise as the logo is implemented across various platforms.
    • The goal is to create a logo that not only captures the essence of your brand but also resonates with your audience, leaving a lasting impression.

KARMA Party Flyer in Russia

KARMA
Sep, 2023 - Oct, 2023 1 month
    • Alright, let's cook up a sick flyer for our banging techno party. First things first, I'm diving into the depths of my imagination to figure out the vibe. Neon futuristic or gritty underground? Decisions, decisions.
    • Got it, time to slap on a headline that's as bold as the beats we're gonna drop. How about something like "Techno Odyssey: A Night of Sonic Bliss"? Yeah, that sounds like the ticket.
    • Now, let's get the deets out there. Date, time, and venue should be loud and clear. No one should be scratching their heads wondering where the party's at. Gotta make it idiot-proof.
    • Graphics time! Abstract shapes, pulsating lights, maybe a touch of circuit board vibes? Let's give this flyer some serious techno swag. High-quality visuals only, we're not amateurs here.
    • DJ lineup the heart and soul of the party. Time to showcase our deck maestros. Icons, graphics, maybe a futuristic silhouette for each DJ? Let's make people drool over that lineup.
    • Tickets, yeah, we're making this exclusive. QR codes for the tech-savvy, and don't forget those old-school outlets for the die-hards who love a physical ticket.
    • Social media madness let's turn this into an online rave before the actual rave. Hashtags, handles, the whole shebang. We want people buzzing about this everywhere.
    • Shoutout to our sponsors and partners. Logos in a cool section, thanking them for making this shindig possible. Teamwork makes the dream work.
    • Typography time! Bold, edgy fonts that scream techno. No Comic Sans nonsense here. Gotta keep it readable, though we're not trying to play mind games.
    • Quick proofread. Typos are the party poopers, so let's make sure everything's on lock.
    • Printing going for the high-quality stuff. No flimsy paper for our masterpiece. Different sizes, maybe a mini version for sneak peeks?
    • Distribution game plan hitting up the spots where our techno tribe hangs out. Posters, handouts, the whole street team hustle.
    • And there we have it a flyer that's gonna make heads turn and feet stomp. Let the techno magic begin!

Branding & Identity

Universal Fuel
Oct, 2022 - Dec, 2022 2 months
    • The branding and identity project for Universal Fuel Industries will aim to create a visual identity that represents the company's commitment to sustainable and eco-friendly fuel production. The project will also include the development of a website that provides information on the company's products and services and showcases their dedication to making the fuel industry more sustainable.
    • The visual identity will be designed to convey the company's mission and values, emphasizing their commitment to producing cost-effective and environmentally-friendly fuel. The logo will feature a simple, modern design with earthy tones and an icon that represents the company's focus on biomass fuel production. The typography will be clean and easy to read, with a focus on legibility and simplicity.
    • The website will be designed to provide a user-friendly experience for customers and potential clients. It will include information on the company's products, services, and certifications.
    • The website will also feature a blog section that showcases the company's commitment to sustainability and eco-friendliness. Additionally, the website will include a contact form for customers to get in touch with the company for inquiries and orders.
    • The overall goal of the branding and identity project is to create a consistent and recognizable visual identity that represents the company's commitment to revolutionizing the fuel industry and making it more sustainable, affordable, cleaner, and efficient. By emphasizing the company's dedication to environmental sustainability, the project aims to position Universal Fuel Industries as a leading supplier of eco-friendly fuel to industries worldwide.

Education

  • B.Sc. (Hons.) in Animation & Multimedia

    Birla Institute of Technology, Mesra (2018)
  • Foundations of User Experience (UX) Design

    Google

Certifications

  • Google

    (Nov, 2021)
    Credential ID : https://www.coursera.org/account/accomplishments/certificate/2B5DFY9CCFZP
  • Foundations of user experience (ux) design - google

  • Foundations of user experience (ux) design, google

  • Foundations of user experience (ux) design

Interests

  • Travelling
  • Movies
  • Football
  • Graphic Design
  • Driving
  • AI-interview Questions & Answers

    Um, sure. Hi. I'm Arnav. Uh, so I started my design journey back in 2014. I did my bachelor's of science in animation and multimedia honors specializing in visual design from Berlin School of Technology. Uh, that was a 4 year degree program. Uh, it was on till 2018. Since then, I've been, uh, working as a freelance designer and, you know, taking projects, uh, related to branding and identity, logos, flyers, all sorts of communication design. My recent stint was at Sellable Technologies where it was a data and data and AI driven company. Um, there, I we had multiple dashboards, including Microsoft Power BI, uh, main clients for Microsoft SAP, Databricks, uh, Adobe. So all the events and communications regarding that were bypassed to me. I was handling a team of 25 people, And, yeah, it was basically, uh, from the start to the end, the delivery of graphics, collection of content, collaborating with the teammates, getting all approvals, all things were done via me. So I am a passionate visual designer turning, uh, ideas into real scroll stopping visuals. And, yeah, my main focus is branding and identity. I am comfortable with social media, uh, and all sorts of communication design, print, banners, web, UI, UX, everything, basically.

    It's open up a print design into a match. We have social media. Sure. Suppose, uh, we are doing a a 4 flyer for print, and we have to and suppose that's for event, so some conference, and it's a 4 sized. So the pinned document, firstly, would be converted to curve, and, you know, all the layers would be converted to shape. As per the guidelines, it would be in a CMYK document. Uh, if, uh, we convert that for into social media, we would, uh, be converting into RGB, and we would be changing the dimensions to we have 3 options, which will be 1 would be square, 10 80 by 10 80 pixels. 2nd can be 10 80 by 13 50, which would be portrait, and the third would be landscape, uh, 10 80 by 1920. Yeah. So we have 3 options to convert the print creatives. Uh, we'll change the color mode, 1, and we have 3 sizes to convert the a four design to with a little less information. You know? So so it's pretty obvious that a 4 size document has more information. And on social media, we are restricted to, you know, text guidelines as per meta in case we are boosting the graphic, in case we are promoting it. And, you know, so, yeah, we have to follow the guidelines in terms of text, so we need to reduce the text also.

    Um, the two key differences between Adobe Photoshop and Adobe Illustrator, when it comes to graphic design is, uh, Adobe Photoshop does not, uh, you know, create vector images. Uh, Illustrator does. And, uh, you know, you can you can create illustrations from scratch on Illustrator, whereas Photoshop, it's a composition, more like a composition. And, I I mean, there are many, many differences. Uh, Photoshop is mostly using mostly used for, you know, photo manipulation. Um, I would say, you know, creating something funky or maybe which requires manipulation. Yeah. And illustrator is is mainly used for lower design, branding, and identity guidelines, you know, more professional documents, uh, vector based designs, like I said.

    Um, best practices for designing social media posts that engage the audience would be keeping up with the trends and tropicals, uh, which is happening in the industry, um, following the brand guidelines so that our brand's, uh, look and feel is consistent everywhere. And, you know, so that people relate with the brands and resonate with the brand whenever they see the same color scheme. So trying to keep a unique identity all over the, you know, social media platform. 4th can be a key trending thing, which is influencer marketing. I mean, depending upon your product, you can, you know, uh, think about various, uh, campaigns, uh, around influencer marketing. People who are influencers, you know, getting the word out there and promoting your product in a unique way. So I think that is also a major game changer these days.

    Um, my approach to handling tight deadlines for delivering multiple designs projects would be I would, uh, accumulate the daily tasks, uh, you know, beforehand, before starting the day, and I would set it priority wise, you know, divide my hours, like, my time into the different tasks and, you know, like, proceed accordingly. Suppose, uh, I mean, I strictly adhere to guidelines. Uh, I avoid, you know, what do you say, you know, skipping the deadlines by creating multiple variations for creatives, which gives users the options to choose from many creatives. And as I said, consistency is key, and I follow the law less is more. I mean, the less information, it's better. It's visible to the eye better.

    Okay. I would ensure that my social media design I would I ensure I mean, how would I know that it reflects the latest trends by, you know, doing my research, identifying what the other competitor brands are doing, but not exactly copying them and copying them, but instead coming with a better strategy, innovative one, which is out of the box. And, yeah, I will look for the major stakeholders in that particular domain around the world for inspiration. Yeah. I would go to Dribbble for some inspiration. I would probably search the product in a magazine. I'd advertise somewhere, and I would do the whole research. And then maybe I'll I can ensure that my social media campaign reflect latest trends. I mean, after all, it's it's the traction what matters. I mean, the reach we are getting, the product we are selling. As long as we ensure that I mean, this is and this is ensured by, you know, following. Also I mean, one way is also to do this is, like, follow the latest trends by doing appropriate research.

    Advanced techniques I use in Photoshop for enhancing image quality for marketing materials would be, um, I mean, it clearly depends upon creative to creative, I would say. Clip masking would be 1, you know, uh, giving a texture using the brush stroke is is a thing. It's like a good technique to put gradient in particular areas that you wanna highlight, and not effectively, you have to use a particular square gradient. You can, like, brush stroke it and, you know, do it as per your customization. Clone stamp tool is also a great alternate, I would say. But, uh, to be honest, like, since AI has been integrated into Adobe Photoshop, Illustrator, as you know, so it's been a game changer ever since. Like, I could just use selection tool and, you know, think of a vector or icon or maybe some asset, and I would generate it, like, on, uh, by typing it. So that is also a key game changer in the advanced techniques in Photoshop. Also, um, I've I feel, uh, yeah, it can pretty much do everything if, you know, used in the right way.

    Okay. Yes. Um, so in my last role while at Sellable Technologies, uh, like, we had multiple things going on. We had events, like I said, Databricks, SAP, Data AI Summit. We have Microsoft events going on and all sorts of things. And between this, we had this, uh, chaos, which is, like, visible to us when we enter the office. So it was like a big TV. It had, uh, you know, like, highlights of the week, uh, you know, highlights, maybe some speaker sessions, and, you know, what's going on in the office, like general information, like facts, everything. So earlier, before I joined, these guys, like, used to display static creatives on that, like, maybe for festivities or something like that. And when I, uh, joined in, they they requested me to, you know, just, like, take care of the chaos creatives and, you know, along with the events and everything. So I was in charge for the look and feel of the company. Like, you know, how we looks we look and feel like our products, how they look and feel like. I did also some lower design projects for them for their main products. Anyways, uh, coming back to this. So for that chaos, uh, I started on implementing GIFs, but, uh, you know, for GIFs, uh, there's a little bit of your, you know, what, like, after effects or maybe Premiere Pro required. So, you know, it was, like, kind of a time consuming to do that, but on the same time, it has to be done repeatedly day on day, so it gets gets updated there and everybody comes and sees that. So in order to fix this, I came up with an idea. I I introduced my team to this tool called Adobe Express, wherein, like, you can create basic animation and, you know, basic GIFs, like, you know, without without, you know, without, uh, doing that, uh, extra bit, which you're doing on, like, Premiere Pro. You're getting you're rendering it. You're you're putting layers by layers. You're using timeline and you know? So I think, uh, by using Adobe Express, we achieved, uh, our results, good results, and and efficiently, I would say, uh, we use less time as compared to, uh, Premiere Pro or After Effects. This is how we identified and implemented a new technology for creating GIFs. And ever since, um, we've been using that for creating GIFs.

    How would I generate a social media strategy and that leverages both visual graphics and AI generated content. I mean, I mean, I would create Okay. So firstly, uh, suppose I would think about the topic that we are creating for. I would generate visuals through AI. You know, I would, like, type in the prompt, raise to what I need to create. I'll research and, you know, put my brains into that for, like, 20 minutes, gather some best options, choose the best 5 ones, um, then I'll pull them on, like, Photoshop. I'll enhance them, you know, fix those silly mistakes which AI does. Of course, it's not perfect. It can't replace designers. It needs human touch. So I'll have to, you know, like, brush it up, increase the contrast, and, you know, fix those silly mistakes which AI does and ensure that it is as per the standards of, you know, social media or maybe. And tools which can be used for this is Midjourney, DALL E AI, and many others.

    I can do basic, uh, text animations, basic GIFs. Uh, I can do whole lot of movies reels also, but that's really not my forte. But if needed, I can, uh, uh, I can do that.

    Actually, I I haven't used with buffer in managing social media campaigns.