
As a graphic designer and art director, I have developed into an accomplished creative strategist who uses smart design with sound technical ability with a keen eye for detail. With over 7 years of experience, I have had the priviledge to work with various clients in industries such as, Real Estate, Media, Hospitality, Online Radio & Non-Profit Organisations.
Freelance Graphic Designer & Consultant
SelfHead of Creative and Design
People Like Us CreateLead Graphic Designer
Eminent EntertainmentAdobe Illustrator
Adobe Photoshop
Figma

Meta Spark Studio
Since graduating, I've been immersed in the freelance realm, collaborating with a diverse range of clients spanning various industries. Notable sectors include pharmaceuticals, real estate, online radio, hospitality, music, bloggers, and startups. This varied experience has equipped me with a versatile skill set and a deep understanding of distinct industry dynamics.
Roles and Responsibilities include
Started as a part-time graphic designer, the role swiftly transitioned into a full-time position. Initially tasked with refreshing visual assets and crafting web/social media graphics, the design department later became an ancillary under Tech. In this capacity, I contributed to UI design and ensured a cohesive brand language across the platform.
From 2021 onward, my role expanded to encompass brand maintenance, mentoring junior designers, team management, and spearheading design projects for diverse clients.
Roles and Responsibilities Included:
In my role as the lead graphic designer, I took charge of maintaining brand consistency across various sub-brands. I crafted graphic templates, developed original graphic communications, and produced print materials for multiple restaurants operating under the brand.
Roles and Responsibilities included:
Commencing in 2017, this project embarked on its journey with the initial development of the brand and its sub-brands. Initially, the brand concentrated on establishing multiple social channels for its sub-brands. By 2019, these channels had garnered individual followings, prompting a rebranding initiative that positioned them as standalone brands. However, between 2021 and 2023, it became evident that there was limited comprehension of the PLUC ecosystem and the brands it encompassed.
In response, a significant rebranding effort was launched in 2023, pivoting from the previous house-of-brands architecture to a sub-brand architecture. This strategic shift aimed to enhance awareness of the parent brand and its sub-brands, fostering a more cohesive understanding of the entire ecosystem.
Executed the brand identity of the campaign along with other visual assets which were used for Video, Social Media and the premiere event which took place in New Delhi, during India's G20 presidency in September 2023
Entrusted with the role of designing a streetwear product for Budweiser's event BUDXSTREET, a collaboration that brought together various homegrown brands. Each brand, including the team at Boxout.FM where I was a contributor, had access to Budweiser's extensive assets spanning over the years. Our task was to craft unique merchandise, consisting of a T-Shirt and a Bum pack/Fanny pack, which was later unveiled at a Budweiser event in New Delhi, India.
Given the strict alcohol advertising laws in India, this event not only provided a platform for local brands to shine but also served as a strategic means for Budweiser to circumvent these regulations, creating a win-win scenario for all involved.
I've been designing for about 7 years. I'm a graduate from college of art, specializing in visual communication. I started working right after college or university. I had a brief stint in advertising. Post that, I was freelancing and working part-time in the hospitality sector. I did that for about two and a half years, where I was fortunate enough to work with a wide range of clients such as an online radio, NGOs, and startups, as well as real estate companies. Post that, in 2019, just before the pandemic, I decided to work with a startup that had a brilliant idea, and I started working with them.
Well, the first thing would be to prioritize what needs to go out first. Secondly, if a certain project has 10 steps in the design process and we're in a tighter deadline, ideally, you would take 8 hours for research or competitive analysis, etcetera, instead of the usual 10. You would cut that down to maybe 4 hours or 2 hours. This would help speed up the process. Just looking for ways in the whole design process where you can fast track everything so that you don't compromise quality by trying to meet your deadlines. So I would say prioritizing what needs to go first. And then, wherever you can speed up the process in this design funnel, eliminate those steps, and proceed accordingly.
Yeah, this happens a lot. Well, the first step is to see if they have very minimal brand guidelines. If so, try to track down the bare minimums, which are the logos, colors, and whatever appropriate typography they've been using. A quick search through their socials or any communication they've done in the past, such as websites and social media, can help you understand what they've used, how they've designed previously, and how they've communicated previously, and then kind of piece everything together and create whatever is required.
Image-heavy. I would say 70% to 80% would be an image. The percentage depends on the communication around the content strategy. If it's more of a typographic-based design style that we're following and it's only type, then some sort of motion would help. If not, definitely a really striking, high-quality HD image with very minimal text. The rest of the copy could go in the caption, and
Well, ideally, initially, I would obviously try to reinterpret the brand guidelines in my own way when I was a little younger and a fresher. As I've become older and started working with teams, you become the designer that sets brand guidelines, and then you realize how important it is to stay within certain bounds. So, I would create something that has been created in the past, bring it up to that level to meet those expectations. And then, I would post that. I would start adding my own take on how these brand guidelines could be extended, and this is what I think would be the vision of the brand and how it could look. But initially, my first priority would be to make sure I can manage expectations by delivering what is already being done.
Designing a meta ad that stands out while still adhering to the brand's static, depends on the platform. I'm a little confused on Meta, could be Facebook, Instagram. On Instagram, for example, if I've got this question right, I'd throw a real, eye-catching ad with a little bit of motion in it. If I don't have the opportunity to do that, I would probably not go with a specific one-aspect ratio. I kind of go with the four-one aspect ratio just so I have more visual real estate. I would have a great image with a nice headline. And for Facebook, anything with motion would be my first preference, video or motion, and then very striking imagery, very striking design. Because people don't really have a lot of time, so something that really jumps out at you. So, I would use as much real estate as I can get, and high-quality imagery with a little bit of text.
Well, the first thing to do is understand that there are certain safe spaces in a story. The last ones that I used were 250 pixels from the bottom and the top because that's where your comment section and react section come, and on the top is the UI information of who's posting the story. So I would put everything between those things so none of my information or imagery gets caught in those UI listings. Also, I will make sure my point size is at least 10 to 11 points. I would obviously check that first because sometimes it could differ depending on the size. So I would obviously check it first to see if it's possible, and you can do that with your own private account, just like a private story.
Again, my first step I would take is to see what has been done prior, try to understand why that has been done. Continue that initially. See how it's being received. If it's not broke, I'm not gonna try and fix it. But if we could do better, then my first priority would be to understand the brand. What attributes does the brand want to share with its user base? Accordingly, I would figure out a color scheme. Then maybe design an alternate color scheme, present that, and say, I think if we do this and are consistent with this, we're hoping to subconsciously convince the user that this is what the brand stands for, and these are the attributes that the brand is behind.
When this comes down to an art style, I think some sort of unit logo for the campaign would be the first thing, so that's present on every communication even if there's no other supporting text. Some sort of logo unit or logo which identifies the campaign. Secondly, a consistent typeface or font family, that is used in all creative communication. And finally, perhaps an art style. So if they're using imagery with text or cutout imagery with some graphics, I would try to extend that through every step or every form of communication, whether it's static or dynamic.